TRAKKER is a high quality Single Channel Discrete Class A Compressor-Limiter. It functions either as a musically transparent compressor or as a vintage compressor-limiter with selectable hard or soft knee. It can create distinct new sounds or maximize existing ones. The TRAKKER has adjustable threshold, attack, release, knee shape, and makeup gain controls. In addition to these controls, a function switch allows the selection of transparent operation or vintage operations such as optical, air optical, soft knee, and hard knee – each with four different amplifier/gain control sounds.
The STC-8 is a high quality compressor that delivers consistent gain control without sacrificing musical definition or harmonic richness. It utilizes a remarkably dependable peak limiter that provides overload protection that is critical to digital recording and broadcast transmitters. The STC-8 is engineered to provide musically transparent gain control, but is also capable of emulating vintage equipment and creating distinctive new sounds. In addition, a switchable enhancement circuit creates analog and tube-like warmth to enrich lifeless audio and digital recordings. This vast flexibility is simplified by the inclusion of several optimized presets, allowing fast, easy set-up on a wide variety
Spider is a high quality eight channel mic-preamplifier mixer with two types of digital outputs: stereo and eight channel. The stereo output is for recording engineers who do stereo or multi-channel recording and want a very flexible audio path. The eight channel output allows the system to function as an analog front end for DAWs, digital mixers, and modular digital recorders.
IBIS is an analog equalizer that boldly takes equalization to a new level of musicality. Each of its four bands features switch-selectable frequencies centered on and covering musical-step intervals from 32-Hz “C” to 22.35-kHz “F.” Its four overlapping bands are labeled with note names and frequency allowing for the first time a “translation” between musician-speak and engineer-jargon. The bandwidth control has similar notation with adjustment from 0.2 octave to 4 octaves per band and a boost / cut range of 12 dB.
Flamingo is a high quality two channel discrete class A microphone pre-amp. It can be operated as a musically transparent pre-amplifier, but is capable of emulating vintage sounds as well as creating distinctive new ones.
Stereo Quantum DA with USB, AES/EBU, S/PDIF (coax and optical).
Stereo AD/DA with DSP tape and tube colors, Sub Pico Second Jitter and a Clock Generator
Portable and simple to use, the DNS 2 is designed for live and location sound use. It eliminates traffic noise, air conditioning, wind, rain and general background noise. It also helps to compensate for unfavourable acoustic conditions and poor microphone placement, and will suppress excessive reverberation.
Have you ever experienced a real great tube microphones breathtaking intimacy? Have you ever noticed its charming detail and inspiring presence? If so, you will know that these attributes come at a price. – Introducing the Valvet X, Brauner releases a dedicated cardioid only microphone which really unites these precious attributes within a microphone unparalleled in its class and pricepoint.
First class components, excellent dynamics and exceptionally low self noise exemplify Brauner microphones. This of course, holds true for the Valvet, a tube microphone based on the already legendary VM1, which provides a unique, finely balanced character.Our objective with the Valvet was to create a tube microphone that would be ideally suited to be used as a spot microphone through small construction and the use of a newly developed microphone suspension.