The TUBE-TECH CL 2A is an all-tube optical compressor with two independent, linkable channels. CL 2A is a great compressor on all sources, and it is widely known as an excellent “problem solver” when delicate gain control is called for.
The LCA 2B is an all-tube VCA compressor/limiter with two independent, linkable channels. It’s a true TUBE VCA compressor, using a tube as the VCA (voltage controlled amplifier). This kind of compressor is also known as a Vari Mu compressor.
The MP 2A is a combined mic preamp/DI, based on a classic TUBE-TECH design, but featuring even higher fidelity and a few new features: An impedance switch to match the input perfectly to all types of microphones, an overload indicator and 2 dB gain steps.
TUBE-TECH SMC2BM is the mastering version of the famous SMC2B Stereo Multiband Compressor. On SMC2BM all audio controls feature High Quality switches, fitted with precision resistors, to ensure extreme accuracy in settings and recals.
The TUBE-TECH SMC 2B Stereo Multiband Compressor features three independent optical stereo compressors. Combining the effect of wide 3 band level control with individual compression of the three bands creates pure magic, especially on the main mix bus, but also on submixes like drum buss, instrument groups and single tracks.
TUBE-TECH SSA2B sums your mixes Wide, Punchy and Transparent, with Rock Solid Low End! The TUBE-TECH SSA 2B Stereo Summing Amplifier features two very low noise/low distortion summing amplifiers with a very wide frequency response. It provides a high end, yet cost effective solution for analog summing, and the simple layout of the SSA 2B makes recall just as easy as when you work ITB.
Stepped mastering version of HLT 2A.
The TUBE-TECH HLT 2A is an all-new kind of Equalizer, combining High and Low shelving Eq plus Hi and Low cut filters with an innovative T filter “tilt” midrange Eq. It’s the first time this combination of filters has been designed in the analog domain.
The Industry Standard Vocal Compressor! The TUBE-TECH CL 1B is an all-tube optical mono compressor. It delivers a very musical and smooth compression, preserving the clarity of the source even at extreme settings, and this is where CL 1B really stands out compared to other compressors. Furthermore, the operation is very intuitive, enabling you to achieve your goal achieve your goal quickly and easily.